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MICHAELA PAECH (2004)
A PHOTOGRAPH IS WORTH MORE THAN A THOUSAND WORDS:
THE IMPACT OF PHOTOJOURNALISM ON CHARITABLE GIVING
Abstract
Photojournalism plays a vital role in charity advertising.
Set within a historical framework of constructing others in photographs,
the aim of this paper is to analyse the image dilemma in charity
emergency appeals. The analysis is facilitated by a detailed investigation
of two past and two most recent photographs depicting famine scenes
in UK charity emergency appeals for Sudan. The examples demonstrate
how the value of a powerful photograph is sometimes abducted for
fundraising purposes. While trying to help disaster victims, charities
tend to lose sight of humanity and victimise the victims even further.
As photographers win prizes by portraying human misery, charities
use images of human suffering to increase funding. As we do not
know the fate of the miserable characters in the pictures that are
sometimes exploited to make money, are we bound to develop a syndrome
called compassion fatigue? A discussion of the current image dilemma
would be incomplete without the provision of at least one possible
solution. It is contended that any successful reform of our image
culture must include the voices of the people in the developing
world. The young fair-trade project kijiji*Vision has a real potential
to provide for this by helping indigenous photographers to get a
share of the image economy.
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